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Robert spoke to friends of his frustration at being unable to replicate his sound in a commercial studio - it was these demos' sound that he wanted to create
Summer 1968 found Gary and The Barracudas reuniting and moving studios to Recordings
right-on-time) anthem of female sexual independence
Pressed on HULKAMANIAC TRANSLUCENT RED VINYL
Beth Anderson – I Can't Stand It LP post-punk Robert spoke to friends ofCarving an unlikely and elaborate niche in the stoney academic landscape which she once shared with the likes of Phill Niblock, John Cage, and Sorel Hayes, the excitable proto punk pomes sonores of the linguistic loose cannon known as Beth Anderson first rolled through New York in the mid 1970s (from Kentucky via San Francisco) like a jumbled tumbleweed of lost Letterism, face paint and threadbare drummy funk to astonish gallery floors, lecture
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