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to seven-ink printing
That tension gives each work a distinct presence and complicates any simple reading of editioned art as pure repetition
His works on paper have many textures that the artist would achieve adding matter to the plate (carborundum is done by adding metallic powder to the stone to get a creased texture on the paper) or putting objects directly on it so the form of them would be stamped (embossing)
created in the late Edo period
Farandole 8 (small) Bearbrick to seven-ink printingLithograph on Gvarro paper hand signed and numbered in pencil by the artist. Edited and published by Polgrafa, Barcelona, in 1971.