Edvard Munch Self-Portrait in Moonlight Living Room Haase's interior design background is

Haase's interior design background is evident in the compositional balance: the piece is made to hold its own on a wall

Plate 34 stands apart in the Hundred Birds album for the density of its composition: branch work occupies more of the frame than usual

This is shin-hanga at its purest: traditional ukiyo-e structure filtered through a modern sensitivity to mood

The graphic clarity of the subject contrasts beautifully with the atmospheric softness of the background

Edvard Munch Self-Portrait in Moonlight Living Room Haase's interior design background isBathed in cold lunar light, this self portrait finds Munch at his most introspective. The face emerges from deep shadow as a pale, almost spectral presence the harsh raking light flattening features into a mask like simplicity that hovers between naturalism and symbol. The nocturnal setting removes all social context, leaving only the confrontation between the figure and the darkness around it, a mood of solitude and heightened self awareness that