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The nature of improvization
Parts 4-12 pp
Theme from Symphony No
La Volta (2)
Meister des Fruhbarock Recorder Trios The nature of improvization*Three Contrasting Baroque Works* for C recorder and piano. 1. Paolo Quagliati, Toccata (1623) 2. Bartolomeo de Selma y Salaberde, Canzona 3. Bartolomeo Montalbano, Sinfonia opus 1, No. 4 The change of style c. 1600 brought with it a flowering of new instrumental forms. The sinfonias, sonatas, canzonas etc which were now being written were for the most part not associated with a specific solo instrument. The melodic flow was still largely dependent
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