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This body of work also resonates with his broader dialogue with Superflat
when actors' faces were carefully lit and photographed to heighten their appeal
released as part of Murakami’s series dedicated to the ensō
who took inspiration from this artists to create the opening to her acclaimed movie "Lost in translation"
El caminante Skate board This body of work alsoLithograph and photolithograph on Gvarro paper signed by the artist and numbered edition of 75. Dated in 1975. This work, as well as "Figura sobre la hierba" (Figure on the grass) or "Figura en paisaje" (Figure in landscape) belong to a period in which Rafael Canogar abandons informalism for realism. This change might seem a bit sharp but it makes sense if we keep in mind the timing in which it comes up. And this is because this style, ranging from
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