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Studying under Robert Ashley and Terry Riley at the fabled Mills College Center For Contemporary Music before graduating into the margins of the ’70s Bay Area new music scene
” both recorded at The Studio in June of 1979
and previously unreleased singles from the Feelies and Erasers
A pre-O’Jays Dunn Pearson handled keys
Greasepaint Smile Disco Studying under Robert Ashley andThe unreleased second album by an original lady from the canyon. Recorded and recanted in 1969, Greasepaint Smile is more assured than its self titled, Tetragrammaton issued predecessor. Weinbergs finger picked acoustic is layered over distant drumming, while her gravel pit voice evokes life, love, and mortality. Fellow Torontonian Neil Young sears Houses with his signature fuzz tone, casting chaos over the beautiful ballad, while J. D. Souther, Kenny
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